\u03a3\u03c0\u03bf\u03c5\u03b4\u03ae \u03c0\u03ac\u03bd\u03c9 \u03c3\u03c4\u03bf \u03c4\u03c1\u03b1\u03cd\u03bc\u03b1, \u03c4\u03b7 \u03bc\u03bd\u03ae\u03bc\u03b7, \u03c4\u03b7\u03bd \u03b1\u03c0\u03ce\u03bb\u03b5\u03b9\u03b1<\/title>\r\n<link href=\"https:\/\/fonts.googleapis.com\/css2?family=EB+Garamond:ital,wght@0,400;0,500;0,600;1,400;1,500&family=Inter:wght@200;300;400;500&display=swap\" rel=\"stylesheet\">\r\n<style>\r\n\/* \u2500\u2500\u2500 RESET \u2500\u2500\u2500 *\/\r\n*, *::before, *::after { box-sizing: border-box; margin: 0; padding: 0; }\r\n\r\n\/* \u2500\u2500\u2500 VARIABLES \u2500\u2500\u2500 *\/\r\n:root {\r\n --gold: #c4a882;\r\n --gold-light: #e8d9c4;\r\n --gold-mid: #9a7a60;\r\n --text-dark: #1e1a17;\r\n --text-mid: #3a3530;\r\n --text-muted: #5a5450;\r\n --bg-hover: #fff;\r\n --border: #f2eeea;\r\n --border-soft: #e8e2dc;\r\n --page-px: clamp(16px, 5vw, 40px);\r\n --page-pb: clamp(60px, 10vw, 120px);\r\n}\r\n\r\n\/* \u2500\u2500\u2500 PAGE WRAPPER \u2500\u2500\u2500 *\/\r\n.aa-text-wrap {\r\n font-family: 'Inter', sans-serif;\r\n font-weight: 300;\r\n color: var(--text-mid);\r\n max-width: 960px;\r\n margin: 0 auto;\r\n padding: 0 var(--page-px) var(--page-pb);\r\n}\r\n\r\n\/* \u2500\u2500\u2500 HEADER \u2500\u2500\u2500 *\/\r\n.aa-text-header {\r\n max-width: 960px;\r\n margin: 0 auto;\r\n padding: 0 var(--page-px);\r\n margin-bottom: clamp(24px, 4vw, 48px);\r\n}\r\n\r\n.aa-text-header-rule {\r\n width: 40px;\r\n height: 1px;\r\n background: var(--text-mid);\r\n margin-bottom: 20px;\r\n}\r\n\r\n.aa-text-header h1 {\r\n font-family: 'EB Garamond', serif;\r\n font-size: clamp(28px, 6vw, 46px);\r\n font-weight: 400;\r\n color: var(--text-mid);\r\n line-height: 1.15;\r\n margin: 0 0 clamp(12px, 3vw, 20px);\r\n}\r\n\r\n.aa-text-header h1 em {\r\n font-style: italic;\r\n color: var(--gold);\r\n}\r\n\r\n.aa-text-byline {\r\n font-family: 'Inter', sans-serif;\r\n font-size: clamp(11px, 2vw, 13px);\r\n letter-spacing: 3px;\r\n text-transform: uppercase;\r\n color: var(--gold);\r\n font-weight: 400;\r\n display: block;\r\n margin-bottom: clamp(16px, 3vw, 24px);\r\n}\r\n\r\n.aa-text-header hr {\r\n border: none;\r\n border-top: 1px solid var(--border-soft);\r\n margin-bottom: clamp(24px, 5vw, 40px);\r\n}\r\n\r\n\/* \u2500\u2500\u2500 SECTION DIVIDER \u2500\u2500\u2500 *\/\r\n.aa-text-section {\r\n display: flex;\r\n align-items: center;\r\n gap: 16px;\r\n margin: clamp(32px, 6vw, 52px) 0 clamp(16px, 3vw, 24px);\r\n}\r\n\r\n.aa-text-section-label {\r\n font-family: 'Inter', sans-serif;\r\n font-size: clamp(11px, 2vw, 13px);\r\n font-weight: 400;\r\n letter-spacing: 3px;\r\n color: var(--gold);\r\n text-transform: uppercase;\r\n white-space: nowrap;\r\n}\r\n\r\n.aa-text-section-line {\r\n flex: 1;\r\n height: 1px;\r\n background: linear-gradient(to right, var(--gold-light), transparent);\r\n}\r\n\r\n\/* \u2500\u2500\u2500 BODY TEXT \u2500\u2500\u2500 *\/\r\n.aa-text-body {\r\n font-family: 'Inter', sans-serif;\r\n font-size: clamp(13px, 2.3vw, 14.5px);\r\n line-height: 2;\r\n color: var(--text-muted);\r\n font-weight: 300;\r\n max-width: 720px;\r\n}\r\n\r\n.aa-text-body p {\r\n margin-bottom: clamp(16px, 3vw, 24px);\r\n}\r\n\r\n.aa-text-body p:last-child { margin-bottom: 0; }\r\n\r\n.aa-text-body strong {\r\n font-weight: 500;\r\n color: var(--text-dark);\r\n}\r\n\r\n.aa-text-body em { font-style: italic; }\r\n\r\n\/* \u2500\u2500\u2500 SUBHEADING \u2500\u2500\u2500 *\/\r\n.aa-text-subhead {\r\n font-family: 'EB Garamond', serif;\r\n font-size: clamp(16px, 3vw, 20px);\r\n font-weight: 500;\r\n color: var(--text-dark);\r\n margin: clamp(28px, 5vw, 40px) 0 clamp(10px, 2vw, 16px);\r\n max-width: 720px;\r\n}\r\n\r\n\/* \u2500\u2500\u2500 IMAGE \u2500\u2500\u2500 *\/\r\n.aa-text-image {\r\n max-width: 720px;\r\n margin: clamp(24px, 4vw, 36px) 0;\r\n}\r\n\r\n.aa-text-image img {\r\n width: 100%;\r\n height: auto;\r\n display: block;\r\n}\r\n\r\n.aa-text-image-caption {\r\n font-family: 'Inter', sans-serif;\r\n font-size: clamp(11px, 1.8vw, 12px);\r\n color: var(--gold-mid);\r\n line-height: 1.7;\r\n margin-top: 10px;\r\n font-weight: 300;\r\n font-style: italic;\r\n}\r\n\r\n\/* \u2500\u2500\u2500 BACK LINK \u2500\u2500\u2500 *\/\r\n.aa-text-back {\r\n display: inline-flex;\r\n align-items: center;\r\n gap: 8px;\r\n font-family: 'Inter', sans-serif;\r\n font-size: clamp(10px, 1.8vw, 11px);\r\n letter-spacing: 3px;\r\n text-transform: uppercase;\r\n color: var(--gold-mid);\r\n text-decoration: none;\r\n margin-bottom: clamp(32px, 6vw, 52px);\r\n border-bottom: 1px solid var(--gold);\r\n padding-bottom: 3px;\r\n font-weight: 400;\r\n transition: color 0.3s, border-color 0.3s;\r\n}\r\n\r\n.aa-text-back:hover {\r\n color: var(--text-dark);\r\n border-color: var(--text-dark);\r\n}\r\n<\/style>\r\n<\/head>\r\n<body>\r\n\r\n\r\n<div class=\"aa-text-header\">\r\n <div class=\"aa-text-header-rule\"><\/div>\r\n <h1>A study on trauma <em>memory, loss<\/em><\/h1>\r\n <span class=\"aa-text-byline\">Nikos Vatopoulos \u00b7 Kathimerini \u00b7 June 29, 2014<\/span>\r\n <hr>\r\n<\/div>\r\n\r\n<div class=\"aa-text-wrap\">\r\n\r\n <a href=\"..\/\u03b4\u03b7\u03bc\u03bf\u03c3\u03b9\u03b5\u03cd\u03c3\u03b5\u03b9\u03c2\/\" class=\"aa-text-back\">\u2190 Press<\/a>\r\n\r\n \r\n <div class=\"aa-text-image\">\r\n <a href=\"\/wp-content\/uploads\/2026\/04\/aa_705585_Foteini-Rapsomaniki.jpg\" target=\"_blank\">\r\n <img decoding=\"async\" loading=\"lazy\" src=\"\/wp-content\/uploads\/2026\/04\/aa_705585_Foteini-Rapsomaniki.jpg\" alt=\"Alcalay, Foteini Rapsomaniki\">\r\n <\/a>\r\n <p class=\"aa-text-image-caption\">Eriketti Velleli with her current Christian name Fotini Rapsomaniki confesses that her mother in law in Corfu attempted to remove the number from her arm using various acidic potions.<\/p>\r\n <\/div>\r\n\r\n \r\n <div class=\"aa-text-body\">\r\n\r\n <p>As the photographs add up, one by one, like urban aquariums of memory and a motionless daily routine, there doesn\u2019t appear to be any intention to record. Moreover, these portraits emerge like stems of a large bouquet, tied in a ribbon that passes from one generation to the next.<\/p>\r\n\r\n <p>For <strong>Artemis Alcalay<\/strong> the need to meet the Greek Jewish survivors of the Holocaust, extending her eye over what has propelled her over the last few years as an artistic creator; namely a study on the \u2018home\u2019, the house, the habitat, the memory, the loss, the trauma and the healing.<\/p>\r\n\r\n <p>These photographic portraits can be seen not only as part of a project but as \u2018sacred\u2019 approaches of solitary journeys.<\/p>\r\n\r\n <p>\u201cEach one of us is very important in himself\u201d says Artemis Alcalay, who for the last months has photographed 19 Nazi Concentration Camp survivors in their own homes, in their own rooms, in Athens or in Thessaloniki or in Yannena and soon in Rhodes, people who gradually opened up in front of the camera, to experience an openness as necessary for their preservation as their own loneliness\u201d. They desire the contact, not so much to narrate their own story but because they crave the interaction, they want love and respect.\u201d<\/p>\r\n\r\n <div class=\"aa-text-subhead\">Personal submersion<\/div>\r\n\r\n <p>For Artemis Alcalay every meeting was a personal submersion as well as an opening, each time in a different world. She found herself with these heroic everyday figures, who carry the number of the Camp, a grey-green stain on the arm, \u201ca sign that directs the trauma, that activates the memory. The number is not there accidentally\u201d. At present Artemis Alcalay is searching for more Greek Jewish survivors who are dispersed in various places.<\/p>\r\n\r\n <p>\u201cI am trying to coordinate with a survivor from Rhodes, who lives in New York but will be here in the summer. She told me that when she went to America she had the number removed. My father\u2019s first cousin did the same when she went to France. One of the women, who now has a Christian name, and is called Fotini Rapsomaniki, told me that her mother-in-law in Corfu tried to remove her number using a variety of acidic potions. Most of them live in their own homes or with a member of their family, others reside peacefully in Nursing homes. \u201cSome have never spoken about the past. They don\u2019t want to exist in this \u2018space\u2019.<\/p>\r\n\r\n <p>As Artemis Alcalay has incorporated this project into the larger body of her work \u2018Home a wandering\u2019, like a big map of emotions and behaviors, she brought with her to each visit a \u2018little home\u2019, her own creation, which became part of this spiritual passage.\u201dAs if they forgot the past, the present and the future for a short while and became children again\u201d she says.\u201dWe cannot erase the little house with the chimney from our memory. The archetypal house is understood by all cultures. It was my passport to opening doors. This little house opened hearts\u201d. The soothing effect of the shape, the presence and symbolism of the little \u2018house\u2019 which like a toy changed the codes of stereotyped communication and led to a series of portraits like allegories around the meaning of geography, family and spiritual \u2018home\u2019. The subject is in dialogue with the historical content.<\/p>\r\n\r\n <p>With ages between 89 and 104, the subjects of these photographic portraits are released in a dynamic silence. Their existence springs as physical beings on journeys into the deep grooves of their tragic yet recent historical destiny, having this cryptic, ambiguous, inescapably defining relationship of repulsion and legality. It is a valve which opens and closes.<\/p>\r\n\r\n <div class=\"aa-text-subhead\">Blending and meditation<\/div>\r\n\r\n <p>For Artemis Alcalay the issue is the exposure of the spiritual plane and the unique meaning of each person in a field of interaction that may extend, communicate and bring about a blending and reflection even beyond the Jewish identity. To be an active figure that talks about the human condition and the need for a way to happiness or oblivion. Artemis Alcalay reminds us that in the first decades after the war most survivors had chosen silence.\u201dAfter the 1980\u2019s and more so the 1990\u2019s the issue of the Holocaust begins to enter the sphere of public discourse\u201d she says. In Greece it is only in the last 20-25 years that we have cultivated speaking publicly about Greek Judaism, testimonies, conferences and original research work.<\/p>\r\n\r\n <p>Today, these fragile figures are a connection not only with the past but with something beyond time and History. They are a huge family portrait in which we are all mirrored.<\/p>\r\n\r\n <div class=\"aa-text-subhead\">Event in Tel Aviv<\/div>\r\n\r\n <p>Artemis Alcalay\u2019s photographic project will be presented in the Beth Hatefutsoth Museum of Diaspora in Tel Aviv this fall. The event will take place relating to the Greek Jewish Communities, an initiative of the Greek Ambassador to Israel Mr.Spyros Lambrides organized by the Jewish Museum of Greece and the Beth Hatefutsoth. Except for Artemis Alcalay\u2019s photographic exhibition there will also be the projection of the award winning documentary \u201cKisses to the children\u201d by Vassilis Loules as well as the participation of the Historian Odette Varon-Vassar.<\/p>\r\n\r\n \r\n <div class=\"aa-text-section\" style=\"margin-top: clamp(32px,6vw,52px);\">\r\n <span class=\"aa-text-section-label\" style=\"letter-spacing:3px;\">Photos<\/span>\r\n <div class=\"aa-text-section-line\"><\/div>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n <div class=\"aa-text-image\">\r\n <a href=\"\/wp-content\/uploads\/2026\/04\/aa_705581_Chrysoula-Eliasa-and-Fortouni-Gani.jpg\" target=\"_blank\">\r\n <img decoding=\"async\" loading=\"lazy\" src=\"\/wp-content\/uploads\/2026\/04\/aa_705581_Chrysoula-Eliasa-and-Fortouni-Gani.jpg\" alt=\"Alcalay, Chrysoula Eliasa and Fortouni Gani\">\r\n <\/a>\r\n <p class=\"aa-text-image-caption\">1.The sisters Fortouni Gani and Chrysoula Eliasa.These delicate figures are a reconnection not only with the past but with an entity beyond time and history.<\/p>\r\n <\/div>\r\n\r\n <div class=\"aa-text-image\">\r\n <a href=\"\/wp-content\/uploads\/2026\/04\/aa_705580_Heinz-Kounio.jpg\" target=\"_blank\">\r\n <img decoding=\"async\" loading=\"lazy\" src=\"\/wp-content\/uploads\/2026\/04\/aa_705580_Heinz-Kounio.jpg\" alt=\"Alcalay, Heinz Kounio\">\r\n <\/a>\r\n <p class=\"aa-text-image-caption\">2.Heinz Kounio photographed in his home in Thessaloniki.<\/p>\r\n <\/div>\r\n\r\n <div class=\"aa-text-image\">\r\n <a href=\"\/wp-content\/uploads\/2026\/04\/aa_705575_Dinos-Matsas.jpg\" target=\"_blank\">\r\n <img decoding=\"async\" loading=\"lazy\" src=\"\/wp-content\/uploads\/2026\/04\/aa_705575_Dinos-Matsas.jpg\" alt=\"Alcalay, Dinos Matsas\">\r\n <\/a>\r\n <p class=\"aa-text-image-caption\">3. With ages between 89 and 104, the subjects of these portraits, like Dino Matsas are suspended in\/left in\/submit to\/surrender to\/ a dynamic silence.<\/p>\r\n <\/div>\r\n\r\n<\/div>\r\n\r\n<\/body>\r\n<\/html>\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p> \u03a3\u03c0\u03bf\u03c5\u03b4\u03ae \u03c0\u03ac\u03bd\u03c9 \u03c3\u03c4\u03bf \u03c4\u03c1\u03b1\u03cd\u03bc\u03b1, \u03c4\u03b7 \u03bc\u03bd\u03ae\u03bc\u03b7, \u03c4\u03b7\u03bd \u03b1\u03c0\u03ce\u03bb\u03b5\u03b9\u03b1 \u039d\u03af\u03ba\u03bf\u03c2 \u0392\u03b1\u03c4\u03cc\u03c0\u03bf\u03c5\u03bb\u03bf\u03c2 \u00b7 \u039a\u03b1\u03b8\u03b7\u03bc\u03b5\u03c1\u03b9\u03bd\u03ae \u00b7 29 \u0399\u03bf\u03c5\u03bd\u03af\u03bf\u03c5 2014 \u2190 \u0394\u03b7\u03bc\u03bf\u03c3\u03b9\u03b5\u03cd\u03c3\u03b5\u03b9\u03c2 \u0397 \u0395\u03c1\u03b9\u03b3\u03ad\u03c4\u03b7 \u0392\u03b5\u03bb\u03b5\u03bb\u03ae \u03bc\u03b5 \u03c4\u03bf \u03bd\u03ad\u03bf \u03c7\u03c1\u03b9\u03c3\u03c4\u03b9\u03b1\u03bd\u03b9\u03ba\u03cc \u03c4\u03b7\u03c2 \u03cc\u03bd\u03bf\u03bc\u03b1 \u03a6\u03c9\u03c4\u03b5\u03b9\u03bd\u03ae \u03a1\u03b1\u03c8\u03bf\u03bc\u03b1\u03bd\u03af\u03ba\u03b7 \u03b5\u03be\u03bf\u03bc\u03bf\u03bb\u03bf\u03b3\u03b5\u03af\u03c4\u03b1\u03b9 \u03cc\u03c4\u03b9 \u03b7 \u03c0\u03b5\u03b8\u03b5\u03c1\u03ac \u03c4\u03b7\u03c2 \u03c3\u03c4\u03b7\u03bd \u039a\u03ad\u03c1\u03ba\u03c5\u03c1\u03b1 \u03c0\u03c1\u03bf\u03c3\u03c0\u03b1\u03b8\u03bf\u03cd\u03c3\u03b5 \u03bd\u03b1 \u03b1\u03c6\u03b1\u03b9\u03c1\u03ad\u03c3\u03b5\u03b9 […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"nf_dc_page":"","footnotes":""},"class_list":["post-5244","page","type-page","status-publish","hentry"],"yoast_head":"\n<title>\u03a3\u03c0\u03bf\u03c5\u03b4\u03ae \u03c0\u03ac\u03bd\u03c9 \u03c3\u03c4\u03bf \u03c4\u03c1\u03b1\u03cd\u03bc\u03b1, \u03c4\u03b7 \u03bc\u03bd\u03ae\u03bc\u03b7, \u03c4\u03b7\u03bd \u03b1\u03c0\u03ce\u03bb\u03b5\u03b9\u03b1 - Artemis Alcalay<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/alcalay.com\/en\/\u03c3\u03c0\u03bf\u03c5\u03b4\u03ae-\u03c0\u03ac\u03bd\u03c9\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u03a3\u03c0\u03bf\u03c5\u03b4\u03ae \u03c0\u03ac\u03bd\u03c9 \u03c3\u03c4\u03bf \u03c4\u03c1\u03b1\u03cd\u03bc\u03b1, \u03c4\u03b7 \u03bc\u03bd\u03ae\u03bc\u03b7, \u03c4\u03b7\u03bd \u03b1\u03c0\u03ce\u03bb\u03b5\u03b9\u03b1 - Artemis Alcalay\" \/>\n<meta property=\"og:description\" content=\" \u03a3\u03c0\u03bf\u03c5\u03b4\u03ae \u03c0\u03ac\u03bd\u03c9 \u03c3\u03c4\u03bf \u03c4\u03c1\u03b1\u03cd\u03bc\u03b1, \u03c4\u03b7 \u03bc\u03bd\u03ae\u03bc\u03b7, \u03c4\u03b7\u03bd \u03b1\u03c0\u03ce\u03bb\u03b5\u03b9\u03b1 \u039d\u03af\u03ba\u03bf\u03c2 \u0392\u03b1\u03c4\u03cc\u03c0\u03bf\u03c5\u03bb\u03bf\u03c2 \u00b7 \u039a\u03b1\u03b8\u03b7\u03bc\u03b5\u03c1\u03b9\u03bd\u03ae \u00b7 29 \u0399\u03bf\u03c5\u03bd\u03af\u03bf\u03c5 2014 \u2190 \u0394\u03b7\u03bc\u03bf\u03c3\u03b9\u03b5\u03cd\u03c3\u03b5\u03b9\u03c2 \u0397 \u0395\u03c1\u03b9\u03b3\u03ad\u03c4\u03b7 \u0392\u03b5\u03bb\u03b5\u03bb\u03ae \u03bc\u03b5 \u03c4\u03bf \u03bd\u03ad\u03bf \u03c7\u03c1\u03b9\u03c3\u03c4\u03b9\u03b1\u03bd\u03b9\u03ba\u03cc \u03c4\u03b7\u03c2 \u03cc\u03bd\u03bf\u03bc\u03b1 \u03a6\u03c9\u03c4\u03b5\u03b9\u03bd\u03ae \u03a1\u03b1\u03c8\u03bf\u03bc\u03b1\u03bd\u03af\u03ba\u03b7 \u03b5\u03be\u03bf\u03bc\u03bf\u03bb\u03bf\u03b3\u03b5\u03af\u03c4\u03b1\u03b9 \u03cc\u03c4\u03b9 \u03b7 \u03c0\u03b5\u03b8\u03b5\u03c1\u03ac \u03c4\u03b7\u03c2 \u03c3\u03c4\u03b7\u03bd \u039a\u03ad\u03c1\u03ba\u03c5\u03c1\u03b1 \u03c0\u03c1\u03bf\u03c3\u03c0\u03b1\u03b8\u03bf\u03cd\u03c3\u03b5 \u03bd\u03b1 \u03b1\u03c6\u03b1\u03b9\u03c1\u03ad\u03c3\u03b5\u03b9 […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/alcalay.com\/en\/\u03c3\u03c0\u03bf\u03c5\u03b4\u03ae-\u03c0\u03ac\u03bd\u03c9\/\" \/>\n<meta property=\"og:site_name\" content=\"Artemis Alcalay\" \/>\n<meta property=\"article:modified_time\" content=\"2026-04-21T16:32:51+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/alcalay.com\\\/%cf%83%cf%80%ce%bf%cf%85%ce%b4%ce%ae-%cf%80%ce%ac%ce%bd%cf%89\\\/\",\"url\":\"https:\\\/\\\/alcalay.com\\\/%cf%83%cf%80%ce%bf%cf%85%ce%b4%ce%ae-%cf%80%ce%ac%ce%bd%cf%89\\\/\",\"name\":\"\u03a3\u03c0\u03bf\u03c5\u03b4\u03ae \u03c0\u03ac\u03bd\u03c9 \u03c3\u03c4\u03bf \u03c4\u03c1\u03b1\u03cd\u03bc\u03b1, \u03c4\u03b7 \u03bc\u03bd\u03ae\u03bc\u03b7, \u03c4\u03b7\u03bd \u03b1\u03c0\u03ce\u03bb\u03b5\u03b9\u03b1 - 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\n\t\t\t\t\t\r\n\r\n\r\n\r\n\r\n\u03a3\u03c0\u03bf\u03c5\u03b4\u03ae \u03c0\u03ac\u03bd\u03c9 \u03c3\u03c4\u03bf \u03c4\u03c1\u03b1\u03cd\u03bc\u03b1, \u03c4\u03b7 \u03bc\u03bd\u03ae\u03bc\u03b7, \u03c4\u03b7\u03bd \u03b1\u03c0\u03ce\u03bb\u03b5\u03b9\u03b1<\/title>\r\n<link href=\"https:\/\/fonts.googleapis.com\/css2?family=EB+Garamond:ital,wght@0,400;0,500;0,600;1,400;1,500&family=Inter:wght@200;300;400;500&display=swap\" rel=\"stylesheet\">\r\n<style>\r\n\/* \u2500\u2500\u2500 RESET \u2500\u2500\u2500 *\/\r\n*, *::before, *::after { box-sizing: border-box; margin: 0; padding: 0; }\r\n\r\n\/* \u2500\u2500\u2500 VARIABLES \u2500\u2500\u2500 *\/\r\n:root {\r\n --gold: #c4a882;\r\n --gold-light: #e8d9c4;\r\n --gold-mid: #9a7a60;\r\n --text-dark: #1e1a17;\r\n --text-mid: #3a3530;\r\n --text-muted: #5a5450;\r\n --bg-hover: #fff;\r\n --border: #f2eeea;\r\n --border-soft: #e8e2dc;\r\n --page-px: clamp(16px, 5vw, 40px);\r\n --page-pb: clamp(60px, 10vw, 120px);\r\n}\r\n\r\n\/* \u2500\u2500\u2500 PAGE WRAPPER \u2500\u2500\u2500 *\/\r\n.aa-text-wrap {\r\n font-family: 'Inter', sans-serif;\r\n font-weight: 300;\r\n color: var(--text-mid);\r\n max-width: 960px;\r\n margin: 0 auto;\r\n padding: 0 var(--page-px) var(--page-pb);\r\n}\r\n\r\n\/* \u2500\u2500\u2500 HEADER \u2500\u2500\u2500 *\/\r\n.aa-text-header {\r\n max-width: 960px;\r\n margin: 0 auto;\r\n padding: 0 var(--page-px);\r\n margin-bottom: clamp(24px, 4vw, 48px);\r\n}\r\n\r\n.aa-text-header-rule {\r\n width: 40px;\r\n height: 1px;\r\n background: var(--text-mid);\r\n margin-bottom: 20px;\r\n}\r\n\r\n.aa-text-header h1 {\r\n font-family: 'EB Garamond', serif;\r\n font-size: clamp(28px, 6vw, 46px);\r\n font-weight: 400;\r\n color: var(--text-mid);\r\n line-height: 1.15;\r\n margin: 0 0 clamp(12px, 3vw, 20px);\r\n}\r\n\r\n.aa-text-header h1 em {\r\n font-style: italic;\r\n color: var(--gold);\r\n}\r\n\r\n.aa-text-byline {\r\n font-family: 'Inter', sans-serif;\r\n font-size: clamp(11px, 2vw, 13px);\r\n letter-spacing: 3px;\r\n text-transform: uppercase;\r\n color: var(--gold);\r\n font-weight: 400;\r\n display: block;\r\n margin-bottom: clamp(16px, 3vw, 24px);\r\n}\r\n\r\n.aa-text-header hr {\r\n border: none;\r\n border-top: 1px solid var(--border-soft);\r\n margin-bottom: clamp(24px, 5vw, 40px);\r\n}\r\n\r\n\/* \u2500\u2500\u2500 SECTION DIVIDER \u2500\u2500\u2500 *\/\r\n.aa-text-section {\r\n display: flex;\r\n align-items: center;\r\n gap: 16px;\r\n margin: clamp(32px, 6vw, 52px) 0 clamp(16px, 3vw, 24px);\r\n}\r\n\r\n.aa-text-section-label {\r\n font-family: 'Inter', sans-serif;\r\n font-size: clamp(11px, 2vw, 13px);\r\n font-weight: 400;\r\n letter-spacing: 3px;\r\n color: var(--gold);\r\n text-transform: uppercase;\r\n white-space: nowrap;\r\n}\r\n\r\n.aa-text-section-line {\r\n flex: 1;\r\n height: 1px;\r\n background: linear-gradient(to right, var(--gold-light), transparent);\r\n}\r\n\r\n\/* \u2500\u2500\u2500 BODY TEXT \u2500\u2500\u2500 *\/\r\n.aa-text-body {\r\n font-family: 'Inter', sans-serif;\r\n font-size: clamp(13px, 2.3vw, 14.5px);\r\n line-height: 2;\r\n color: var(--text-muted);\r\n font-weight: 300;\r\n max-width: 720px;\r\n}\r\n\r\n.aa-text-body p {\r\n margin-bottom: clamp(16px, 3vw, 24px);\r\n}\r\n\r\n.aa-text-body p:last-child { margin-bottom: 0; }\r\n\r\n.aa-text-body strong {\r\n font-weight: 500;\r\n color: var(--text-dark);\r\n}\r\n\r\n.aa-text-body em { font-style: italic; }\r\n\r\n\/* \u2500\u2500\u2500 SUBHEADING \u2500\u2500\u2500 *\/\r\n.aa-text-subhead {\r\n font-family: 'EB Garamond', serif;\r\n font-size: clamp(16px, 3vw, 20px);\r\n font-weight: 500;\r\n color: var(--text-dark);\r\n margin: clamp(28px, 5vw, 40px) 0 clamp(10px, 2vw, 16px);\r\n max-width: 720px;\r\n}\r\n\r\n\/* \u2500\u2500\u2500 IMAGE \u2500\u2500\u2500 *\/\r\n.aa-text-image {\r\n max-width: 720px;\r\n margin: clamp(24px, 4vw, 36px) 0;\r\n}\r\n\r\n.aa-text-image img {\r\n width: 100%;\r\n height: auto;\r\n display: block;\r\n}\r\n\r\n.aa-text-image-caption {\r\n font-family: 'Inter', sans-serif;\r\n font-size: clamp(11px, 1.8vw, 12px);\r\n color: var(--gold-mid);\r\n line-height: 1.7;\r\n margin-top: 10px;\r\n font-weight: 300;\r\n font-style: italic;\r\n}\r\n\r\n\/* \u2500\u2500\u2500 BACK LINK \u2500\u2500\u2500 *\/\r\n.aa-text-back {\r\n display: inline-flex;\r\n align-items: center;\r\n gap: 8px;\r\n font-family: 'Inter', sans-serif;\r\n font-size: clamp(10px, 1.8vw, 11px);\r\n letter-spacing: 3px;\r\n text-transform: uppercase;\r\n color: var(--gold-mid);\r\n text-decoration: none;\r\n margin-bottom: clamp(32px, 6vw, 52px);\r\n border-bottom: 1px solid var(--gold);\r\n padding-bottom: 3px;\r\n font-weight: 400;\r\n transition: color 0.3s, border-color 0.3s;\r\n}\r\n\r\n.aa-text-back:hover {\r\n color: var(--text-dark);\r\n border-color: var(--text-dark);\r\n}\r\n<\/style>\r\n<\/head>\r\n<body>\r\n\r\n\r\n<div class=\"aa-text-header\">\r\n <div class=\"aa-text-header-rule\"><\/div>\r\n <h1>A study on trauma <em>memory, loss<\/em><\/h1>\r\n <span class=\"aa-text-byline\">Nikos Vatopoulos \u00b7 Kathimerini \u00b7 June 29, 2014<\/span>\r\n <hr>\r\n<\/div>\r\n\r\n<div class=\"aa-text-wrap\">\r\n\r\n <a href=\"..\/\u03b4\u03b7\u03bc\u03bf\u03c3\u03b9\u03b5\u03cd\u03c3\u03b5\u03b9\u03c2\/\" class=\"aa-text-back\">\u2190 Press<\/a>\r\n\r\n \r\n <div class=\"aa-text-image\">\r\n <a href=\"\/wp-content\/uploads\/2026\/04\/aa_705585_Foteini-Rapsomaniki.jpg\" target=\"_blank\">\r\n <img decoding=\"async\" loading=\"lazy\" src=\"\/wp-content\/uploads\/2026\/04\/aa_705585_Foteini-Rapsomaniki.jpg\" alt=\"Alcalay, Foteini Rapsomaniki\">\r\n <\/a>\r\n <p class=\"aa-text-image-caption\">Eriketti Velleli with her current Christian name Fotini Rapsomaniki confesses that her mother in law in Corfu attempted to remove the number from her arm using various acidic potions.<\/p>\r\n <\/div>\r\n\r\n \r\n <div class=\"aa-text-body\">\r\n\r\n <p>As the photographs add up, one by one, like urban aquariums of memory and a motionless daily routine, there doesn\u2019t appear to be any intention to record. Moreover, these portraits emerge like stems of a large bouquet, tied in a ribbon that passes from one generation to the next.<\/p>\r\n\r\n <p>For <strong>Artemis Alcalay<\/strong> the need to meet the Greek Jewish survivors of the Holocaust, extending her eye over what has propelled her over the last few years as an artistic creator; namely a study on the \u2018home\u2019, the house, the habitat, the memory, the loss, the trauma and the healing.<\/p>\r\n\r\n <p>These photographic portraits can be seen not only as part of a project but as \u2018sacred\u2019 approaches of solitary journeys.<\/p>\r\n\r\n <p>\u201cEach one of us is very important in himself\u201d says Artemis Alcalay, who for the last months has photographed 19 Nazi Concentration Camp survivors in their own homes, in their own rooms, in Athens or in Thessaloniki or in Yannena and soon in Rhodes, people who gradually opened up in front of the camera, to experience an openness as necessary for their preservation as their own loneliness\u201d. They desire the contact, not so much to narrate their own story but because they crave the interaction, they want love and respect.\u201d<\/p>\r\n\r\n <div class=\"aa-text-subhead\">Personal submersion<\/div>\r\n\r\n <p>For Artemis Alcalay every meeting was a personal submersion as well as an opening, each time in a different world. She found herself with these heroic everyday figures, who carry the number of the Camp, a grey-green stain on the arm, \u201ca sign that directs the trauma, that activates the memory. The number is not there accidentally\u201d. At present Artemis Alcalay is searching for more Greek Jewish survivors who are dispersed in various places.<\/p>\r\n\r\n <p>\u201cI am trying to coordinate with a survivor from Rhodes, who lives in New York but will be here in the summer. She told me that when she went to America she had the number removed. My father\u2019s first cousin did the same when she went to France. One of the women, who now has a Christian name, and is called Fotini Rapsomaniki, told me that her mother-in-law in Corfu tried to remove her number using a variety of acidic potions. Most of them live in their own homes or with a member of their family, others reside peacefully in Nursing homes. \u201cSome have never spoken about the past. They don\u2019t want to exist in this \u2018space\u2019.<\/p>\r\n\r\n <p>As Artemis Alcalay has incorporated this project into the larger body of her work \u2018Home a wandering\u2019, like a big map of emotions and behaviors, she brought with her to each visit a \u2018little home\u2019, her own creation, which became part of this spiritual passage.\u201dAs if they forgot the past, the present and the future for a short while and became children again\u201d she says.\u201dWe cannot erase the little house with the chimney from our memory. The archetypal house is understood by all cultures. It was my passport to opening doors. This little house opened hearts\u201d. The soothing effect of the shape, the presence and symbolism of the little \u2018house\u2019 which like a toy changed the codes of stereotyped communication and led to a series of portraits like allegories around the meaning of geography, family and spiritual \u2018home\u2019. The subject is in dialogue with the historical content.<\/p>\r\n\r\n <p>With ages between 89 and 104, the subjects of these photographic portraits are released in a dynamic silence. Their existence springs as physical beings on journeys into the deep grooves of their tragic yet recent historical destiny, having this cryptic, ambiguous, inescapably defining relationship of repulsion and legality. It is a valve which opens and closes.<\/p>\r\n\r\n <div class=\"aa-text-subhead\">Blending and meditation<\/div>\r\n\r\n <p>For Artemis Alcalay the issue is the exposure of the spiritual plane and the unique meaning of each person in a field of interaction that may extend, communicate and bring about a blending and reflection even beyond the Jewish identity. To be an active figure that talks about the human condition and the need for a way to happiness or oblivion. Artemis Alcalay reminds us that in the first decades after the war most survivors had chosen silence.\u201dAfter the 1980\u2019s and more so the 1990\u2019s the issue of the Holocaust begins to enter the sphere of public discourse\u201d she says. In Greece it is only in the last 20-25 years that we have cultivated speaking publicly about Greek Judaism, testimonies, conferences and original research work.<\/p>\r\n\r\n <p>Today, these fragile figures are a connection not only with the past but with something beyond time and History. They are a huge family portrait in which we are all mirrored.<\/p>\r\n\r\n <div class=\"aa-text-subhead\">Event in Tel Aviv<\/div>\r\n\r\n <p>Artemis Alcalay\u2019s photographic project will be presented in the Beth Hatefutsoth Museum of Diaspora in Tel Aviv this fall. The event will take place relating to the Greek Jewish Communities, an initiative of the Greek Ambassador to Israel Mr.Spyros Lambrides organized by the Jewish Museum of Greece and the Beth Hatefutsoth. Except for Artemis Alcalay\u2019s photographic exhibition there will also be the projection of the award winning documentary \u201cKisses to the children\u201d by Vassilis Loules as well as the participation of the Historian Odette Varon-Vassar.<\/p>\r\n\r\n \r\n <div class=\"aa-text-section\" style=\"margin-top: clamp(32px,6vw,52px);\">\r\n <span class=\"aa-text-section-label\" style=\"letter-spacing:3px;\">Photos<\/span>\r\n <div class=\"aa-text-section-line\"><\/div>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n <div class=\"aa-text-image\">\r\n <a href=\"\/wp-content\/uploads\/2026\/04\/aa_705581_Chrysoula-Eliasa-and-Fortouni-Gani.jpg\" target=\"_blank\">\r\n <img decoding=\"async\" loading=\"lazy\" src=\"\/wp-content\/uploads\/2026\/04\/aa_705581_Chrysoula-Eliasa-and-Fortouni-Gani.jpg\" alt=\"Alcalay, Chrysoula Eliasa and Fortouni Gani\">\r\n <\/a>\r\n <p class=\"aa-text-image-caption\">1.The sisters Fortouni Gani and Chrysoula Eliasa.These delicate figures are a reconnection not only with the past but with an entity beyond time and history.<\/p>\r\n <\/div>\r\n\r\n <div class=\"aa-text-image\">\r\n <a href=\"\/wp-content\/uploads\/2026\/04\/aa_705580_Heinz-Kounio.jpg\" target=\"_blank\">\r\n <img decoding=\"async\" loading=\"lazy\" src=\"\/wp-content\/uploads\/2026\/04\/aa_705580_Heinz-Kounio.jpg\" alt=\"Alcalay, Heinz Kounio\">\r\n <\/a>\r\n <p class=\"aa-text-image-caption\">2.Heinz Kounio photographed in his home in Thessaloniki.<\/p>\r\n <\/div>\r\n\r\n <div class=\"aa-text-image\">\r\n <a href=\"\/wp-content\/uploads\/2026\/04\/aa_705575_Dinos-Matsas.jpg\" target=\"_blank\">\r\n <img decoding=\"async\" loading=\"lazy\" src=\"\/wp-content\/uploads\/2026\/04\/aa_705575_Dinos-Matsas.jpg\" alt=\"Alcalay, Dinos Matsas\">\r\n <\/a>\r\n <p class=\"aa-text-image-caption\">3. With ages between 89 and 104, the subjects of these portraits, like Dino Matsas are suspended in\/left in\/submit to\/surrender to\/ a dynamic silence.<\/p>\r\n <\/div>\r\n\r\n<\/div>\r\n\r\n<\/body>\r\n<\/html>\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p> \u03a3\u03c0\u03bf\u03c5\u03b4\u03ae \u03c0\u03ac\u03bd\u03c9 \u03c3\u03c4\u03bf \u03c4\u03c1\u03b1\u03cd\u03bc\u03b1, \u03c4\u03b7 \u03bc\u03bd\u03ae\u03bc\u03b7, \u03c4\u03b7\u03bd \u03b1\u03c0\u03ce\u03bb\u03b5\u03b9\u03b1 \u039d\u03af\u03ba\u03bf\u03c2 \u0392\u03b1\u03c4\u03cc\u03c0\u03bf\u03c5\u03bb\u03bf\u03c2 \u00b7 \u039a\u03b1\u03b8\u03b7\u03bc\u03b5\u03c1\u03b9\u03bd\u03ae \u00b7 29 \u0399\u03bf\u03c5\u03bd\u03af\u03bf\u03c5 2014 \u2190 \u0394\u03b7\u03bc\u03bf\u03c3\u03b9\u03b5\u03cd\u03c3\u03b5\u03b9\u03c2 \u0397 \u0395\u03c1\u03b9\u03b3\u03ad\u03c4\u03b7 \u0392\u03b5\u03bb\u03b5\u03bb\u03ae \u03bc\u03b5 \u03c4\u03bf \u03bd\u03ad\u03bf \u03c7\u03c1\u03b9\u03c3\u03c4\u03b9\u03b1\u03bd\u03b9\u03ba\u03cc \u03c4\u03b7\u03c2 \u03cc\u03bd\u03bf\u03bc\u03b1 \u03a6\u03c9\u03c4\u03b5\u03b9\u03bd\u03ae \u03a1\u03b1\u03c8\u03bf\u03bc\u03b1\u03bd\u03af\u03ba\u03b7 \u03b5\u03be\u03bf\u03bc\u03bf\u03bb\u03bf\u03b3\u03b5\u03af\u03c4\u03b1\u03b9 \u03cc\u03c4\u03b9 \u03b7 \u03c0\u03b5\u03b8\u03b5\u03c1\u03ac \u03c4\u03b7\u03c2 \u03c3\u03c4\u03b7\u03bd \u039a\u03ad\u03c1\u03ba\u03c5\u03c1\u03b1 \u03c0\u03c1\u03bf\u03c3\u03c0\u03b1\u03b8\u03bf\u03cd\u03c3\u03b5 \u03bd\u03b1 \u03b1\u03c6\u03b1\u03b9\u03c1\u03ad\u03c3\u03b5\u03b9 […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"nf_dc_page":"","footnotes":""},"class_list":["post-5244","page","type-page","status-publish","hentry"],"yoast_head":"\n<title>\u03a3\u03c0\u03bf\u03c5\u03b4\u03ae \u03c0\u03ac\u03bd\u03c9 \u03c3\u03c4\u03bf \u03c4\u03c1\u03b1\u03cd\u03bc\u03b1, \u03c4\u03b7 \u03bc\u03bd\u03ae\u03bc\u03b7, \u03c4\u03b7\u03bd \u03b1\u03c0\u03ce\u03bb\u03b5\u03b9\u03b1 - Artemis Alcalay<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/alcalay.com\/en\/\u03c3\u03c0\u03bf\u03c5\u03b4\u03ae-\u03c0\u03ac\u03bd\u03c9\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u03a3\u03c0\u03bf\u03c5\u03b4\u03ae \u03c0\u03ac\u03bd\u03c9 \u03c3\u03c4\u03bf \u03c4\u03c1\u03b1\u03cd\u03bc\u03b1, \u03c4\u03b7 \u03bc\u03bd\u03ae\u03bc\u03b7, \u03c4\u03b7\u03bd \u03b1\u03c0\u03ce\u03bb\u03b5\u03b9\u03b1 - Artemis Alcalay\" \/>\n<meta property=\"og:description\" content=\" \u03a3\u03c0\u03bf\u03c5\u03b4\u03ae \u03c0\u03ac\u03bd\u03c9 \u03c3\u03c4\u03bf \u03c4\u03c1\u03b1\u03cd\u03bc\u03b1, \u03c4\u03b7 \u03bc\u03bd\u03ae\u03bc\u03b7, \u03c4\u03b7\u03bd \u03b1\u03c0\u03ce\u03bb\u03b5\u03b9\u03b1 \u039d\u03af\u03ba\u03bf\u03c2 \u0392\u03b1\u03c4\u03cc\u03c0\u03bf\u03c5\u03bb\u03bf\u03c2 \u00b7 \u039a\u03b1\u03b8\u03b7\u03bc\u03b5\u03c1\u03b9\u03bd\u03ae \u00b7 29 \u0399\u03bf\u03c5\u03bd\u03af\u03bf\u03c5 2014 \u2190 \u0394\u03b7\u03bc\u03bf\u03c3\u03b9\u03b5\u03cd\u03c3\u03b5\u03b9\u03c2 \u0397 \u0395\u03c1\u03b9\u03b3\u03ad\u03c4\u03b7 \u0392\u03b5\u03bb\u03b5\u03bb\u03ae \u03bc\u03b5 \u03c4\u03bf \u03bd\u03ad\u03bf \u03c7\u03c1\u03b9\u03c3\u03c4\u03b9\u03b1\u03bd\u03b9\u03ba\u03cc \u03c4\u03b7\u03c2 \u03cc\u03bd\u03bf\u03bc\u03b1 \u03a6\u03c9\u03c4\u03b5\u03b9\u03bd\u03ae \u03a1\u03b1\u03c8\u03bf\u03bc\u03b1\u03bd\u03af\u03ba\u03b7 \u03b5\u03be\u03bf\u03bc\u03bf\u03bb\u03bf\u03b3\u03b5\u03af\u03c4\u03b1\u03b9 \u03cc\u03c4\u03b9 \u03b7 \u03c0\u03b5\u03b8\u03b5\u03c1\u03ac \u03c4\u03b7\u03c2 \u03c3\u03c4\u03b7\u03bd \u039a\u03ad\u03c1\u03ba\u03c5\u03c1\u03b1 \u03c0\u03c1\u03bf\u03c3\u03c0\u03b1\u03b8\u03bf\u03cd\u03c3\u03b5 \u03bd\u03b1 \u03b1\u03c6\u03b1\u03b9\u03c1\u03ad\u03c3\u03b5\u03b9 […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/alcalay.com\/en\/\u03c3\u03c0\u03bf\u03c5\u03b4\u03ae-\u03c0\u03ac\u03bd\u03c9\/\" \/>\n<meta property=\"og:site_name\" content=\"Artemis Alcalay\" \/>\n<meta property=\"article:modified_time\" content=\"2026-04-21T16:32:51+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/alcalay.com\\\/%cf%83%cf%80%ce%bf%cf%85%ce%b4%ce%ae-%cf%80%ce%ac%ce%bd%cf%89\\\/\",\"url\":\"https:\\\/\\\/alcalay.com\\\/%cf%83%cf%80%ce%bf%cf%85%ce%b4%ce%ae-%cf%80%ce%ac%ce%bd%cf%89\\\/\",\"name\":\"\u03a3\u03c0\u03bf\u03c5\u03b4\u03ae \u03c0\u03ac\u03bd\u03c9 \u03c3\u03c4\u03bf \u03c4\u03c1\u03b1\u03cd\u03bc\u03b1, \u03c4\u03b7 \u03bc\u03bd\u03ae\u03bc\u03b7, \u03c4\u03b7\u03bd \u03b1\u03c0\u03ce\u03bb\u03b5\u03b9\u03b1 - 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