\u039f\u03b9 \u03c4\u03b5\u03bb\u03b5\u03c5\u03c4\u03b1\u03af\u03bf\u03b9 \u0388\u03bb\u03bb\u03b7\u03bd\u03b5\u03c2 \u03b5\u03c0\u03b9\u03b6\u03ce\u03bd\u03c4\u03b5\u03c2 \u03c4\u03bf\u03c5 \u039f\u03bb\u03bf\u03ba\u03b1\u03c5\u03c4\u03ce\u03bc\u03b1\u03c4\u03bf\u03c2<\/title>\r\n<link href=\"https:\/\/fonts.googleapis.com\/css2?family=EB+Garamond:ital,wght@0,400;0,500;0,600;1,400;1,500&family=Inter:wght@200;300;400;500&display=swap\" rel=\"stylesheet\">\r\n<style>\r\n\/* \u2500\u2500\u2500 RESET \u2500\u2500\u2500 *\/\r\n*, *::before, *::after { box-sizing: border-box; margin: 0; padding: 0; }\r\n\r\n\/* \u2500\u2500\u2500 VARIABLES \u2500\u2500\u2500 *\/\r\n:root {\r\n --gold: #c4a882;\r\n --gold-light: #e8d9c4;\r\n --gold-mid: #9a7a60;\r\n --text-dark: #1e1a17;\r\n --text-mid: #3a3530;\r\n --text-muted: #5a5450;\r\n --bg-hover: #fff;\r\n --border: #f2eeea;\r\n --border-soft: #e8e2dc;\r\n --page-px: clamp(16px, 5vw, 40px);\r\n --page-pb: clamp(60px, 10vw, 120px);\r\n}\r\n\r\n\/* \u2500\u2500\u2500 PAGE WRAPPER \u2500\u2500\u2500 *\/\r\n.aa-text-wrap {\r\n font-family: 'Inter', sans-serif;\r\n font-weight: 300;\r\n color: var(--text-mid);\r\n max-width: 960px;\r\n margin: 0 auto;\r\n padding: 0 var(--page-px) var(--page-pb);\r\n}\r\n\r\n\/* \u2500\u2500\u2500 HEADER \u2500\u2500\u2500 *\/\r\n.aa-text-header {\r\n max-width: 960px;\r\n margin: 0 auto;\r\n padding: 0 var(--page-px);\r\n margin-bottom: clamp(24px, 4vw, 48px);\r\n}\r\n\r\n.aa-text-header-rule {\r\n width: 40px;\r\n height: 1px;\r\n background: var(--text-mid);\r\n margin-bottom: 20px;\r\n}\r\n\r\n.aa-text-header h1 {\r\n font-family: 'EB Garamond', serif;\r\n font-size: clamp(28px, 6vw, 46px);\r\n font-weight: 400;\r\n color: var(--text-mid);\r\n line-height: 1.15;\r\n margin: 0 0 clamp(12px, 3vw, 20px);\r\n}\r\n\r\n.aa-text-header h1 em {\r\n font-style: italic;\r\n color: var(--gold);\r\n}\r\n\r\n.aa-text-byline {\r\n font-family: 'Inter', sans-serif;\r\n font-size: clamp(11px, 2vw, 13px);\r\n letter-spacing: 3px;\r\n text-transform: uppercase;\r\n color: var(--gold);\r\n font-weight: 400;\r\n display: block;\r\n margin-bottom: clamp(16px, 3vw, 24px);\r\n}\r\n\r\n.aa-text-header hr {\r\n border: none;\r\n border-top: 1px solid var(--border-soft);\r\n margin-bottom: clamp(24px, 5vw, 40px);\r\n}\r\n\r\n\/* \u2500\u2500\u2500 SECTION DIVIDER \u2500\u2500\u2500 *\/\r\n.aa-text-section {\r\n display: flex;\r\n align-items: center;\r\n gap: 16px;\r\n margin: clamp(32px, 6vw, 52px) 0 clamp(16px, 3vw, 24px);\r\n}\r\n\r\n.aa-text-section-label {\r\n font-family: 'Inter', sans-serif;\r\n font-size: clamp(11px, 2vw, 13px);\r\n font-weight: 400;\r\n letter-spacing: 3px;\r\n color: var(--gold);\r\n text-transform: uppercase;\r\n white-space: nowrap;\r\n}\r\n\r\n.aa-text-section-line {\r\n flex: 1;\r\n height: 1px;\r\n background: linear-gradient(to right, var(--gold-light), transparent);\r\n}\r\n\r\n\/* \u2500\u2500\u2500 BODY TEXT \u2500\u2500\u2500 *\/\r\n.aa-text-body {\r\n font-family: 'Inter', sans-serif;\r\n font-size: clamp(13px, 2.3vw, 14.5px);\r\n line-height: 2;\r\n color: var(--text-muted);\r\n font-weight: 300;\r\n max-width: 720px;\r\n}\r\n\r\n.aa-text-body p {\r\n margin-bottom: clamp(16px, 3vw, 24px);\r\n}\r\n\r\n.aa-text-body p:last-child { margin-bottom: 0; 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}\r\n\r\n.aa-text-question {\r\n font-family: 'Inter', sans-serif;\r\n font-size: clamp(12.5px, 2.2vw, 13.5px);\r\n font-weight: 500;\r\n color: var(--text-dark);\r\n line-height: 1.75;\r\n margin-bottom: 10px;\r\n}\r\n\r\n.aa-text-answer {\r\n font-family: 'Inter', sans-serif;\r\n font-size: clamp(12.5px, 2.2vw, 13.5px);\r\n font-weight: 300;\r\n color: var(--text-muted);\r\n line-height: 1.85;\r\n}\r\n\r\n.aa-text-answer p { margin-bottom: 8px; }\r\n.aa-text-answer p:last-child { margin-bottom: 0; }\r\n\r\n\/* \u2500\u2500\u2500 WHO IS WHO \u2500\u2500\u2500 *\/\r\n.aa-text-who {\r\n background: var(--border);\r\n border-left: 2px solid var(--gold);\r\n padding: clamp(16px, 3vw, 24px) clamp(20px, 4vw, 32px);\r\n margin: clamp(24px, 4vw, 36px) 0;\r\n max-width: 720px;\r\n}\r\n\r\n.aa-text-who-label {\r\n font-family: 'Inter', sans-serif;\r\n font-size: 10px;\r\n letter-spacing: 3px;\r\n text-transform: uppercase;\r\n color: var(--gold);\r\n font-weight: 400;\r\n display: block;\r\n margin-bottom: 12px;\r\n}\r\n\r\n.aa-text-who p {\r\n font-family: 'Inter', sans-serif;\r\n font-size: clamp(12px, 2vw, 13px);\r\n color: var(--text-muted);\r\n line-height: 1.85;\r\n font-weight: 300;\r\n}\r\n\r\n\/* \u2500\u2500\u2500 BACK LINK \u2500\u2500\u2500 *\/\r\n.aa-text-back {\r\n display: inline-flex;\r\n align-items: center;\r\n gap: 8px;\r\n font-family: 'Inter', sans-serif;\r\n font-size: clamp(10px, 1.8vw, 11px);\r\n letter-spacing: 3px;\r\n text-transform: uppercase;\r\n color: var(--gold-mid);\r\n text-decoration: none;\r\n margin-bottom: clamp(32px, 6vw, 52px);\r\n border-bottom: 1px solid var(--gold);\r\n padding-bottom: 3px;\r\n font-weight: 400;\r\n transition: color 0.3s, border-color 0.3s;\r\n}\r\n\r\n.aa-text-back:hover {\r\n color: var(--text-dark);\r\n border-color: var(--text-dark);\r\n}\r\n<\/style>\r\n<\/head>\r\n<body>\r\n\r\n\r\n<div class=\"aa-text-header\">\r\n <div class=\"aa-text-header-rule\"><\/div>\r\n <h1>The last Greek survivors <em>of the Holocaust<\/em><\/h1>\r\n <span class=\"aa-text-byline\">Alkisti Georgiou \u00b7 LIFO \u00b7 6 August 2014<\/span>\r\n <hr>\r\n<\/div>\r\n\r\n<div class=\"aa-text-wrap\">\r\n\r\n <a href=\"..\/\u03b4\u03b7\u03bc\u03bf\u03c3\u03b9\u03b5\u03cd\u03c3\u03b5\u03b9\u03c2\/\" class=\"aa-text-back\">\u2190 Press<\/a>\r\n\r\n \r\n <div class=\"aa-text-body\">\r\n <p>Artemis Alcalay actualizes a visual recording of the Greek Jews who survived the horrors of the Concentration camps, a unique artistic transcription in Greek documentation.<\/p>\r\n\r\n <p>Within the last two years the artist <strong>Artemis Alcalay<\/strong> has undertaken a photographic project which is not only extremely arduous but also of great importance. Travelling all over Greece (and presently abroad) the Athenian creator comes into contact with and photographs the last remaining Greek Jewish survivors of the Holocaust, making a \u2018silent\u2019 study on the trauma which remains permanently engraved in the memory, after seventy whole years.<\/p>\r\n\r\n <p>This <strong>\u2018narrative without words\u2019<\/strong>though it revolves around a visual viewing of the subject, remains today perhaps the only record of the few remaining Greeks who managed to survive the horrors of the Nazi concentration camps. An astonishing as well as moving undertaking.<\/p>\r\n <\/div>\r\n\r\n \r\n <div class=\"aa-text-who\">\r\n <span class=\"aa-text-who-label\">Who is who<\/span>\r\n <p>\u0397 <strong>Artemis Alcalay<\/strong> was born in Athens in 1957. She studied painting at the Athens School of Fine Arts under Iannis Moralis and Dimitris Mytaras and scenography with Vassilis Vassiliades. She continued her studies at New York University and has trained in weaving and photography. Her work is exhibited both in Greece and internationally. Most of her pieces are in mixed media, combining painting, sculpture, weaving, photography and digital art.<\/p>\r\n <\/div>\r\n\r\n \r\n <div class=\"aa-text-section\">\r\n <span class=\"aa-text-section-label\">Interview<\/span>\r\n <div class=\"aa-text-section-line\"><\/div>\r\n <\/div>\r\n\r\n <div class=\"aa-text-qa\">\r\n\r\n <div class=\"aa-text-qa-item\">\r\n <div class=\"aa-text-question\">You photograph Holocaust survivors. How did the idea for this project arise?<\/div>\r\n <div class=\"aa-text-answer\">\r\n <p>The work is still in progress, so the first title that comes to mind is \u2018narrative without words\u2019. Photographing the Greek Jews who survived the Nazi concentration camps is a subject that has concerned me since I was young. Many members of my family perished in the camps. Seventy years have passed since the liberation from Auschwitz, and now that many of my relatives have passed away, I decided to begin this project.<\/p>\r\n <\/div>\r\n <\/div>\r\n\r\n <div class=\"aa-text-qa-item\">\r\n <div class=\"aa-text-question\">When did you begin this undertaking?<\/div>\r\n <div class=\"aa-text-answer\">\r\n <p>The exhibition \u2018Home an Installation\u2019 at Gallery 7 in 2010 and \u2018Home a wandering\u2019 at Beton 7 in 2012, were the foundations on which this series of photographs is based. In the company of my small pieces, \u2018the houses\u2019, I travelled all over Athens, I met and talked to a large number of people and groups with particular characteristics. One of these groups were the Greek Holocaust survivors who I have devoted the last two years to photographing. I am overwhelmed by their horrific experiences on the one hand and the inner strength and the wisdom they have acquired, on the other. I am under the impression that there are large gaps in the records of Greek Jews who survived the Holocaust. For years they themselves have chosen this silence, out of fear.<\/p>\r\n <\/div>\r\n <\/div>\r\n\r\n <div class=\"aa-text-qa-item\">\r\n <div class=\"aa-text-question\">Were you aware of these feelings when you met them<\/div>\r\n <div class=\"aa-text-answer\">\r\n <p>The traumatic memories were unspoken for decades. The testimonies began only recently. In this particular work memory translates into a \u2018work of art\u2019 where words are obsolete and the image carries all the messages. These photographs have an interactive character blending the scene of the memories with the immediate present and future.<\/p>\r\n <\/div>\r\n <\/div>\r\n\r\n <div class=\"aa-text-qa-item\">\r\n <div class=\"aa-text-question\">How many portraits have you completed so far and where have you travelled for the needs of the project?<\/div>\r\n <div class=\"aa-text-answer\">\r\n <p>Up to this moment I have photographed 21 people, 17 women and 4 men. There are two people in Corfu and a few in Thessaloniki with whom I am in contact and who I hope to include in my work. I am trying to include all the communities which flourished before the war. After I photographed those living in Athens, I went to Corfu, Yannena, Thessaloniki, Volos, and Larissa to meet victims who originated from communities which were completely annihilated like in Arta, Kastoria etc.<\/p>\r\n <p>Recently I travelled to Rhodes for the 70th anniversary of the deportation, where I met victims who live abroad; in Italy, Belgium and the USA. I would like to travel outside Greece since many migrated to other countries after the war, not only from Greece but from all over Europe, seeking a peaceful haven.<\/p>\r\n <\/div>\r\n <\/div>\r\n\r\n <div class=\"aa-text-qa-item\">\r\n <div class=\"aa-text-question\">How exactly do you locate these people and come into contact with them? Did you have difficulty finding them?<\/div>\r\n <div class=\"aa-text-answer\">\r\n <p>This contact is not particularly difficult. I am constantly in touch with many families and Jewish communities all over Greece and around the world, as well as Nursing Homes like Restio in Athens and Saoul Modiano in Thessaloniki. Every family has a relative, friend or acquaintance who survived and their help has been invaluable.<\/p>\r\n <\/div>\r\n <\/div>\r\n\r\n <div class=\"aa-text-qa-item\">\r\n <div class=\"aa-text-question\">What were the reactions so far of the 21 protagonists of the portraits? Were there people who did not want to be photographed or who were extremely negative about the project?<\/div>\r\n <div class=\"aa-text-answer\">\r\n <p>I was received with extreme kindness and courtesy by the survivors, their children, their grandchildren. There were very few cases of people who did not wish to be photographed. Three of them refused to be included. It is something I understand and totally accept. Time is relative, the soul is timeless\u2026.<\/p>\r\n <p>Everyone experiences, comprehends and reacts differently. They try to keep the ghosts of the past at bay in any way possible, so they can continue living. Very often their families try to protect them from reliving the trauma.<\/p>\r\n <\/div>\r\n <\/div>\r\n\r\n <div class=\"aa-text-qa-item\">\r\n <div class=\"aa-text-question\">What age group are we talking about, Ms. Alcalay?<\/div>\r\n <div class=\"aa-text-answer\">\r\n <p>They are all between 86 and 104 years old. Those who were sent to the camps at a very young age are still alive today. Mr. Moshe Cohen, at 84, is the youngest, while Mrs. Germaine Cohen, at 104, is the oldest! I didn\u2019t include ages in the portraits because even now, most of them don\u2019t want their ages listed!<\/p>\r\n <\/div>\r\n <\/div>\r\n\r\n <div class=\"aa-text-qa-item\">\r\n <div class=\"aa-text-question\">Were there any particularly emotional moments during those meetings?<\/div>\r\n <div class=\"aa-text-answer\">\r\n <p>Inevitably, our conversation went in circles, moving back and forth between the past and the present, between the painful and the beautiful. The carefree life before the camp, the return, the struggle to get back on their feet, the creation of a new family. In such a deeply personal project, both sides are deeply affected.<\/p>\r\n <\/div>\r\n <\/div>\r\n\r\n <div class=\"aa-text-qa-item\">\r\n <div class=\"aa-text-question\">Tell us about this \"little house\" that features prominently in the photos. What does it symbolize?<\/div>\r\n <div class=\"aa-text-answer\">\r\n <p>In the same portrait, alongside these people, I have included one of my own works: a small house. It symbolizes the family they lost, but also the family they built from scratch upon their return\u2014a return not necessarily to their home, which had been trampled, demolished, lost. This house bridges the visual artwork with the documentary. Finally, it symbolizes the \u201cspace\u201d between me and the person I photograph.<\/p>\r\n <\/div>\r\n <\/div>\r\n\r\n <div class=\"aa-text-qa-item\">\r\n <div class=\"aa-text-question\">How does the indelible mark bearing the camp number on the survivors\u2019 arms affect their psychology today, so many decades later?<\/div>\r\n <div class=\"aa-text-answer\">\r\n <p>Most people carry their camp number with them\u2014a part of their lives that links the past to the present. But I also met two women who decided to remove it, to move on without it.<\/p>\r\n <\/div>\r\n <\/div>\r\n\r\n <div class=\"aa-text-qa-item\">\r\n <div class=\"aa-text-question\">Is it really possible to estimate how many Greek Jewish Holocaust survivors are still alive?<\/div>\r\n <div class=\"aa-text-answer\">\r\n <p>Not many remain\u2014just a few in Thessaloniki and Corfu. Some live in Argentina, the United States, the Congo, South Africa, and Israel.<\/p>\r\n <\/div>\r\n <\/div>\r\n\r\n <div class=\"aa-text-qa-item\">\r\n <div class=\"aa-text-question\">We live today in a Greece where racism has skyrocketed. What do you think about all this?<\/div>\r\n <div class=\"aa-text-answer\">\r\n <p>The recent rise of far-right and neo-Nazi parties in crisis-stricken Europe proves that REMEMBRANCE is essential. Especially today, the lessons of the past should lead us to embrace diversity and to collaborate with others. I know there are many who deny the Holocaust, and I find that sad. Even sadder is the fact that its deniers are finding more and more followers.<\/p>\r\n <\/div>\r\n <\/div>\r\n\r\n <div class=\"aa-text-qa-item\">\r\n <div class=\"aa-text-question\">So how important is it today to document the stories of those who experienced the horrors of the Holocaust firsthand?<\/div>\r\n <div class=\"aa-text-answer\">\r\n <p>Anti-Semitism, as the university professor argues <strong>Anna Fragoudaki<\/strong> in \u201cThe Relationship Between Anti-Semitism and Racism and Greek National Identity,\u201d it has been deeply rooted in our society for centuries. From time to time, it changes form and names, so that it remains unrecognizable even to those who embrace it. It serves as the model and foundation of all racism, which is why it is extremely dangerous. It concerns us all, not just those \u201cinvolved.\u201d<\/p>\r\n <\/div>\r\n <\/div>\r\n\r\n <div class=\"aa-text-qa-item\">\r\n <div class=\"aa-text-question\">What is the solution to ensure that history itself is not forgotten, Ms. Alcalay?<\/div>\r\n <div class=\"aa-text-answer\">\r\n <p>The only solution is to remain vigilant against the distortion and falsification of history. The people I photograph are not the product of some artistic fantasy. They are real people, just as the numbers visible on their hands are real. I do not wish to prove, demonstrate, or imply anything; I simply wish to pay tribute through a wordless narrative\u2026<\/p>\r\n <\/div>\r\n <\/div>\r\n\r\n <div class=\"aa-text-qa-item\">\r\n <div class=\"aa-text-question\">What does the future hold for the project? Any upcoming plans?<\/div>\r\n <div class=\"aa-text-answer\">\r\n <p>I will continue my wanderings until I have photographed as many of them as I can. Interacting with them is a source of great emotion and insight.<\/p>\r\n <\/div>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n<\/div>\r\n\r\n<\/body>\r\n<\/html>\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>\u039f\u03b9 \u03c4\u03b5\u03bb\u03b5\u03c5\u03c4\u03b1\u03af\u03bf\u03b9 \u0388\u03bb\u03bb\u03b7\u03bd\u03b5\u03c2 \u03b5\u03c0\u03b9\u03b6\u03ce\u03bd\u03c4\u03b5\u03c2 \u03c4\u03bf\u03c5 \u039f\u03bb\u03bf\u03ba\u03b1\u03c5\u03c4\u03ce\u03bc\u03b1\u03c4\u03bf\u03c2 \u039f\u03b9 \u03c4\u03b5\u03bb\u03b5\u03c5\u03c4\u03b1\u03af\u03bf\u03b9 \u0388\u03bb\u03bb\u03b7\u03bd\u03b5\u03c2 \u03b5\u03c0\u03b9\u03b6\u03ce\u03bd\u03c4\u03b5\u03c2 \u03c4\u03bf\u03c5 \u039f\u03bb\u03bf\u03ba\u03b1\u03c5\u03c4\u03ce\u03bc\u03b1\u03c4\u03bf\u03c2 \u0386\u03bb\u03ba\u03b7\u03c3\u03c4\u03b7 \u0393\u03b5\u03c9\u03c1\u03b3\u03af\u03bf\u03c5 \u00b7 LIFO \u00b7 6 \u0391\u03c5\u03b3\u03bf\u03cd\u03c3\u03c4\u03bf\u03c5 2014 \u2190 \u0394\u03b7\u03bc\u03bf\u03c3\u03b9\u03b5\u03cd\u03c3\u03b5\u03b9\u03c2 \u0397 \u0386\u03c1\u03c4\u03b5\u03bc\u03b9\u03c2 \u0391\u03bb\u03ba\u03b1\u03bb\u03ac\u03b7 \u03c0\u03c1\u03b1\u03b3\u03bc\u03b1\u03c4\u03bf\u03c0\u03bf\u03b9\u03b5\u03af \u03bc\u03b9\u03b1 \u03bc\u03bf\u03bd\u03b1\u03b4\u03b9\u03ba\u03ae \u03c3\u03c4\u03b1 \u03b5\u03bb\u03bb\u03b7\u03bd\u03b9\u03ba\u03ac \u03c7\u03c1\u03bf\u03bd\u03b9\u03ba\u03ac \u03b5\u03b9\u03ba\u03b1\u03c3\u03c4\u03b9\u03ba\u03ae \u03ba\u03b1\u03c4\u03b1\u03b3\u03c1\u03b1\u03c6\u03ae \u03c4\u03c9\u03bd \u0395\u03bb\u03bb\u03ae\u03bd\u03c9\u03bd \u0395\u03b2\u03c1\u03b1\u03af\u03c9\u03bd \u03c0\u03bf\u03c5 \u03b5\u03c0\u03b9\u03b6\u03ae\u03c3\u03b1\u03bd\u03b5 \u03c4\u03b7\u03c2 \u03c6\u03c1\u03af\u03ba\u03b7\u03c2 […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"nf_dc_page":"","footnotes":""},"class_list":["post-5236","page","type-page","status-publish","hentry"],"yoast_head":"\n<title>\u039f\u03b9 \u03c4\u03b5\u03bb\u03b5\u03c5\u03c4\u03b1\u03af\u03bf\u03b9 \u0388\u03bb\u03bb\u03b7\u03bd\u03b5\u03c2 \u03b5\u03c0\u03b9\u03b6\u03ce\u03bd\u03c4\u03b5\u03c2 \u03c4\u03bf\u03c5 \u039f\u03bb\u03bf\u03ba\u03b1\u03c5\u03c4\u03ce\u03bc\u03b1\u03c4\u03bf\u03c2 - 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}\r\n\r\n.aa-text-question {\r\n font-family: 'Inter', sans-serif;\r\n font-size: clamp(12.5px, 2.2vw, 13.5px);\r\n font-weight: 500;\r\n color: var(--text-dark);\r\n line-height: 1.75;\r\n margin-bottom: 10px;\r\n}\r\n\r\n.aa-text-answer {\r\n font-family: 'Inter', sans-serif;\r\n font-size: clamp(12.5px, 2.2vw, 13.5px);\r\n font-weight: 300;\r\n color: var(--text-muted);\r\n line-height: 1.85;\r\n}\r\n\r\n.aa-text-answer p { margin-bottom: 8px; }\r\n.aa-text-answer p:last-child { margin-bottom: 0; }\r\n\r\n\/* \u2500\u2500\u2500 WHO IS WHO \u2500\u2500\u2500 *\/\r\n.aa-text-who {\r\n background: var(--border);\r\n border-left: 2px solid var(--gold);\r\n padding: clamp(16px, 3vw, 24px) clamp(20px, 4vw, 32px);\r\n margin: clamp(24px, 4vw, 36px) 0;\r\n max-width: 720px;\r\n}\r\n\r\n.aa-text-who-label {\r\n font-family: 'Inter', sans-serif;\r\n font-size: 10px;\r\n letter-spacing: 3px;\r\n text-transform: uppercase;\r\n color: var(--gold);\r\n font-weight: 400;\r\n display: block;\r\n margin-bottom: 12px;\r\n}\r\n\r\n.aa-text-who p {\r\n font-family: 'Inter', sans-serif;\r\n font-size: clamp(12px, 2vw, 13px);\r\n color: var(--text-muted);\r\n line-height: 1.85;\r\n font-weight: 300;\r\n}\r\n\r\n\/* \u2500\u2500\u2500 BACK LINK \u2500\u2500\u2500 *\/\r\n.aa-text-back {\r\n display: inline-flex;\r\n align-items: center;\r\n gap: 8px;\r\n font-family: 'Inter', sans-serif;\r\n font-size: clamp(10px, 1.8vw, 11px);\r\n letter-spacing: 3px;\r\n text-transform: uppercase;\r\n color: var(--gold-mid);\r\n text-decoration: none;\r\n margin-bottom: clamp(32px, 6vw, 52px);\r\n border-bottom: 1px solid var(--gold);\r\n padding-bottom: 3px;\r\n font-weight: 400;\r\n transition: color 0.3s, border-color 0.3s;\r\n}\r\n\r\n.aa-text-back:hover {\r\n color: var(--text-dark);\r\n border-color: var(--text-dark);\r\n}\r\n<\/style>\r\n<\/head>\r\n<body>\r\n\r\n\r\n<div class=\"aa-text-header\">\r\n <div class=\"aa-text-header-rule\"><\/div>\r\n <h1>The last Greek survivors <em>of the Holocaust<\/em><\/h1>\r\n <span class=\"aa-text-byline\">Alkisti Georgiou \u00b7 LIFO \u00b7 6 August 2014<\/span>\r\n <hr>\r\n<\/div>\r\n\r\n<div class=\"aa-text-wrap\">\r\n\r\n <a href=\"..\/\u03b4\u03b7\u03bc\u03bf\u03c3\u03b9\u03b5\u03cd\u03c3\u03b5\u03b9\u03c2\/\" class=\"aa-text-back\">\u2190 Press<\/a>\r\n\r\n \r\n <div class=\"aa-text-body\">\r\n <p>Artemis Alcalay actualizes a visual recording of the Greek Jews who survived the horrors of the Concentration camps, a unique artistic transcription in Greek documentation.<\/p>\r\n\r\n <p>Within the last two years the artist <strong>Artemis Alcalay<\/strong> has undertaken a photographic project which is not only extremely arduous but also of great importance. Travelling all over Greece (and presently abroad) the Athenian creator comes into contact with and photographs the last remaining Greek Jewish survivors of the Holocaust, making a \u2018silent\u2019 study on the trauma which remains permanently engraved in the memory, after seventy whole years.<\/p>\r\n\r\n <p>This <strong>\u2018narrative without words\u2019<\/strong>though it revolves around a visual viewing of the subject, remains today perhaps the only record of the few remaining Greeks who managed to survive the horrors of the Nazi concentration camps. An astonishing as well as moving undertaking.<\/p>\r\n <\/div>\r\n\r\n \r\n <div class=\"aa-text-who\">\r\n <span class=\"aa-text-who-label\">Who is who<\/span>\r\n <p>\u0397 <strong>Artemis Alcalay<\/strong> was born in Athens in 1957. She studied painting at the Athens School of Fine Arts under Iannis Moralis and Dimitris Mytaras and scenography with Vassilis Vassiliades. She continued her studies at New York University and has trained in weaving and photography. Her work is exhibited both in Greece and internationally. Most of her pieces are in mixed media, combining painting, sculpture, weaving, photography and digital art.<\/p>\r\n <\/div>\r\n\r\n \r\n <div class=\"aa-text-section\">\r\n <span class=\"aa-text-section-label\">Interview<\/span>\r\n <div class=\"aa-text-section-line\"><\/div>\r\n <\/div>\r\n\r\n <div class=\"aa-text-qa\">\r\n\r\n <div class=\"aa-text-qa-item\">\r\n <div class=\"aa-text-question\">You photograph Holocaust survivors. How did the idea for this project arise?<\/div>\r\n <div class=\"aa-text-answer\">\r\n <p>The work is still in progress, so the first title that comes to mind is \u2018narrative without words\u2019. Photographing the Greek Jews who survived the Nazi concentration camps is a subject that has concerned me since I was young. Many members of my family perished in the camps. Seventy years have passed since the liberation from Auschwitz, and now that many of my relatives have passed away, I decided to begin this project.<\/p>\r\n <\/div>\r\n <\/div>\r\n\r\n <div class=\"aa-text-qa-item\">\r\n <div class=\"aa-text-question\">When did you begin this undertaking?<\/div>\r\n <div class=\"aa-text-answer\">\r\n <p>The exhibition \u2018Home an Installation\u2019 at Gallery 7 in 2010 and \u2018Home a wandering\u2019 at Beton 7 in 2012, were the foundations on which this series of photographs is based. In the company of my small pieces, \u2018the houses\u2019, I travelled all over Athens, I met and talked to a large number of people and groups with particular characteristics. One of these groups were the Greek Holocaust survivors who I have devoted the last two years to photographing. I am overwhelmed by their horrific experiences on the one hand and the inner strength and the wisdom they have acquired, on the other. I am under the impression that there are large gaps in the records of Greek Jews who survived the Holocaust. For years they themselves have chosen this silence, out of fear.<\/p>\r\n <\/div>\r\n <\/div>\r\n\r\n <div class=\"aa-text-qa-item\">\r\n <div class=\"aa-text-question\">Were you aware of these feelings when you met them<\/div>\r\n <div class=\"aa-text-answer\">\r\n <p>The traumatic memories were unspoken for decades. The testimonies began only recently. In this particular work memory translates into a \u2018work of art\u2019 where words are obsolete and the image carries all the messages. These photographs have an interactive character blending the scene of the memories with the immediate present and future.<\/p>\r\n <\/div>\r\n <\/div>\r\n\r\n <div class=\"aa-text-qa-item\">\r\n <div class=\"aa-text-question\">How many portraits have you completed so far and where have you travelled for the needs of the project?<\/div>\r\n <div class=\"aa-text-answer\">\r\n <p>Up to this moment I have photographed 21 people, 17 women and 4 men. There are two people in Corfu and a few in Thessaloniki with whom I am in contact and who I hope to include in my work. I am trying to include all the communities which flourished before the war. After I photographed those living in Athens, I went to Corfu, Yannena, Thessaloniki, Volos, and Larissa to meet victims who originated from communities which were completely annihilated like in Arta, Kastoria etc.<\/p>\r\n <p>Recently I travelled to Rhodes for the 70th anniversary of the deportation, where I met victims who live abroad; in Italy, Belgium and the USA. I would like to travel outside Greece since many migrated to other countries after the war, not only from Greece but from all over Europe, seeking a peaceful haven.<\/p>\r\n <\/div>\r\n <\/div>\r\n\r\n <div class=\"aa-text-qa-item\">\r\n <div class=\"aa-text-question\">How exactly do you locate these people and come into contact with them? Did you have difficulty finding them?<\/div>\r\n <div class=\"aa-text-answer\">\r\n <p>This contact is not particularly difficult. I am constantly in touch with many families and Jewish communities all over Greece and around the world, as well as Nursing Homes like Restio in Athens and Saoul Modiano in Thessaloniki. Every family has a relative, friend or acquaintance who survived and their help has been invaluable.<\/p>\r\n <\/div>\r\n <\/div>\r\n\r\n <div class=\"aa-text-qa-item\">\r\n <div class=\"aa-text-question\">What were the reactions so far of the 21 protagonists of the portraits? Were there people who did not want to be photographed or who were extremely negative about the project?<\/div>\r\n <div class=\"aa-text-answer\">\r\n <p>I was received with extreme kindness and courtesy by the survivors, their children, their grandchildren. There were very few cases of people who did not wish to be photographed. Three of them refused to be included. It is something I understand and totally accept. Time is relative, the soul is timeless\u2026.<\/p>\r\n <p>Everyone experiences, comprehends and reacts differently. They try to keep the ghosts of the past at bay in any way possible, so they can continue living. Very often their families try to protect them from reliving the trauma.<\/p>\r\n <\/div>\r\n <\/div>\r\n\r\n <div class=\"aa-text-qa-item\">\r\n <div class=\"aa-text-question\">What age group are we talking about, Ms. Alcalay?<\/div>\r\n <div class=\"aa-text-answer\">\r\n <p>They are all between 86 and 104 years old. Those who were sent to the camps at a very young age are still alive today. Mr. Moshe Cohen, at 84, is the youngest, while Mrs. Germaine Cohen, at 104, is the oldest! I didn\u2019t include ages in the portraits because even now, most of them don\u2019t want their ages listed!<\/p>\r\n <\/div>\r\n <\/div>\r\n\r\n <div class=\"aa-text-qa-item\">\r\n <div class=\"aa-text-question\">Were there any particularly emotional moments during those meetings?<\/div>\r\n <div class=\"aa-text-answer\">\r\n <p>Inevitably, our conversation went in circles, moving back and forth between the past and the present, between the painful and the beautiful. The carefree life before the camp, the return, the struggle to get back on their feet, the creation of a new family. In such a deeply personal project, both sides are deeply affected.<\/p>\r\n <\/div>\r\n <\/div>\r\n\r\n <div class=\"aa-text-qa-item\">\r\n <div class=\"aa-text-question\">Tell us about this \"little house\" that features prominently in the photos. What does it symbolize?<\/div>\r\n <div class=\"aa-text-answer\">\r\n <p>In the same portrait, alongside these people, I have included one of my own works: a small house. It symbolizes the family they lost, but also the family they built from scratch upon their return\u2014a return not necessarily to their home, which had been trampled, demolished, lost. This house bridges the visual artwork with the documentary. Finally, it symbolizes the \u201cspace\u201d between me and the person I photograph.<\/p>\r\n <\/div>\r\n <\/div>\r\n\r\n <div class=\"aa-text-qa-item\">\r\n <div class=\"aa-text-question\">How does the indelible mark bearing the camp number on the survivors\u2019 arms affect their psychology today, so many decades later?<\/div>\r\n <div class=\"aa-text-answer\">\r\n <p>Most people carry their camp number with them\u2014a part of their lives that links the past to the present. But I also met two women who decided to remove it, to move on without it.<\/p>\r\n <\/div>\r\n <\/div>\r\n\r\n <div class=\"aa-text-qa-item\">\r\n <div class=\"aa-text-question\">Is it really possible to estimate how many Greek Jewish Holocaust survivors are still alive?<\/div>\r\n <div class=\"aa-text-answer\">\r\n <p>Not many remain\u2014just a few in Thessaloniki and Corfu. Some live in Argentina, the United States, the Congo, South Africa, and Israel.<\/p>\r\n <\/div>\r\n <\/div>\r\n\r\n <div class=\"aa-text-qa-item\">\r\n <div class=\"aa-text-question\">We live today in a Greece where racism has skyrocketed. What do you think about all this?<\/div>\r\n <div class=\"aa-text-answer\">\r\n <p>The recent rise of far-right and neo-Nazi parties in crisis-stricken Europe proves that REMEMBRANCE is essential. Especially today, the lessons of the past should lead us to embrace diversity and to collaborate with others. I know there are many who deny the Holocaust, and I find that sad. Even sadder is the fact that its deniers are finding more and more followers.<\/p>\r\n <\/div>\r\n <\/div>\r\n\r\n <div class=\"aa-text-qa-item\">\r\n <div class=\"aa-text-question\">So how important is it today to document the stories of those who experienced the horrors of the Holocaust firsthand?<\/div>\r\n <div class=\"aa-text-answer\">\r\n <p>Anti-Semitism, as the university professor argues <strong>Anna Fragoudaki<\/strong> in \u201cThe Relationship Between Anti-Semitism and Racism and Greek National Identity,\u201d it has been deeply rooted in our society for centuries. From time to time, it changes form and names, so that it remains unrecognizable even to those who embrace it. It serves as the model and foundation of all racism, which is why it is extremely dangerous. It concerns us all, not just those \u201cinvolved.\u201d<\/p>\r\n <\/div>\r\n <\/div>\r\n\r\n <div class=\"aa-text-qa-item\">\r\n <div class=\"aa-text-question\">What is the solution to ensure that history itself is not forgotten, Ms. Alcalay?<\/div>\r\n <div class=\"aa-text-answer\">\r\n <p>The only solution is to remain vigilant against the distortion and falsification of history. The people I photograph are not the product of some artistic fantasy. They are real people, just as the numbers visible on their hands are real. I do not wish to prove, demonstrate, or imply anything; I simply wish to pay tribute through a wordless narrative\u2026<\/p>\r\n <\/div>\r\n <\/div>\r\n\r\n <div class=\"aa-text-qa-item\">\r\n <div class=\"aa-text-question\">What does the future hold for the project? Any upcoming plans?<\/div>\r\n <div class=\"aa-text-answer\">\r\n <p>I will continue my wanderings until I have photographed as many of them as I can. Interacting with them is a source of great emotion and insight.<\/p>\r\n <\/div>\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n<\/div>\r\n\r\n<\/body>\r\n<\/html>\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>\u039f\u03b9 \u03c4\u03b5\u03bb\u03b5\u03c5\u03c4\u03b1\u03af\u03bf\u03b9 \u0388\u03bb\u03bb\u03b7\u03bd\u03b5\u03c2 \u03b5\u03c0\u03b9\u03b6\u03ce\u03bd\u03c4\u03b5\u03c2 \u03c4\u03bf\u03c5 \u039f\u03bb\u03bf\u03ba\u03b1\u03c5\u03c4\u03ce\u03bc\u03b1\u03c4\u03bf\u03c2 \u039f\u03b9 \u03c4\u03b5\u03bb\u03b5\u03c5\u03c4\u03b1\u03af\u03bf\u03b9 \u0388\u03bb\u03bb\u03b7\u03bd\u03b5\u03c2 \u03b5\u03c0\u03b9\u03b6\u03ce\u03bd\u03c4\u03b5\u03c2 \u03c4\u03bf\u03c5 \u039f\u03bb\u03bf\u03ba\u03b1\u03c5\u03c4\u03ce\u03bc\u03b1\u03c4\u03bf\u03c2 \u0386\u03bb\u03ba\u03b7\u03c3\u03c4\u03b7 \u0393\u03b5\u03c9\u03c1\u03b3\u03af\u03bf\u03c5 \u00b7 LIFO \u00b7 6 \u0391\u03c5\u03b3\u03bf\u03cd\u03c3\u03c4\u03bf\u03c5 2014 \u2190 \u0394\u03b7\u03bc\u03bf\u03c3\u03b9\u03b5\u03cd\u03c3\u03b5\u03b9\u03c2 \u0397 \u0386\u03c1\u03c4\u03b5\u03bc\u03b9\u03c2 \u0391\u03bb\u03ba\u03b1\u03bb\u03ac\u03b7 \u03c0\u03c1\u03b1\u03b3\u03bc\u03b1\u03c4\u03bf\u03c0\u03bf\u03b9\u03b5\u03af \u03bc\u03b9\u03b1 \u03bc\u03bf\u03bd\u03b1\u03b4\u03b9\u03ba\u03ae \u03c3\u03c4\u03b1 \u03b5\u03bb\u03bb\u03b7\u03bd\u03b9\u03ba\u03ac \u03c7\u03c1\u03bf\u03bd\u03b9\u03ba\u03ac \u03b5\u03b9\u03ba\u03b1\u03c3\u03c4\u03b9\u03ba\u03ae \u03ba\u03b1\u03c4\u03b1\u03b3\u03c1\u03b1\u03c6\u03ae \u03c4\u03c9\u03bd \u0395\u03bb\u03bb\u03ae\u03bd\u03c9\u03bd \u0395\u03b2\u03c1\u03b1\u03af\u03c9\u03bd \u03c0\u03bf\u03c5 \u03b5\u03c0\u03b9\u03b6\u03ae\u03c3\u03b1\u03bd\u03b5 \u03c4\u03b7\u03c2 \u03c6\u03c1\u03af\u03ba\u03b7\u03c2 […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"nf_dc_page":"","footnotes":""},"class_list":["post-5236","page","type-page","status-publish","hentry"],"yoast_head":"\n<title>\u039f\u03b9 \u03c4\u03b5\u03bb\u03b5\u03c5\u03c4\u03b1\u03af\u03bf\u03b9 \u0388\u03bb\u03bb\u03b7\u03bd\u03b5\u03c2 \u03b5\u03c0\u03b9\u03b6\u03ce\u03bd\u03c4\u03b5\u03c2 \u03c4\u03bf\u03c5 \u039f\u03bb\u03bf\u03ba\u03b1\u03c5\u03c4\u03ce\u03bc\u03b1\u03c4\u03bf\u03c2 - 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